5: Early
Damn It Massacre
The bright orange of the road
construction signs announcing the upcoming road work stand out against the
earth tones of the evergreen forest landscape. The morning sun is peeking
through the tall pines and the shadows retreat back across the four lane road
from it. A small line of traffic moves lazily up the winding road as if the
vehicles themselves are still waking up.
A light blue Chevy pickup brakes
suddenly in front of Tom and Anna in their black Honda. Already irritated, Tom
launches into a diatribe against the Chevy’s driver.
“Are you kidding me? The sign says
road work ahead, asshole, I bet there
is another mile between us and it. And a up and down mile at that! I don’t want
to be behind your slow redneck ass! Bullshit country drivers!”
Anna looks at the Chevy’s battered
tailgate in front of her on the road, but says nothing. She glances at the
clock on the car’s stereo and winces to herself when she reads 7:27 am in the
neon green numbers. Tom hated being woken up early, and she had done just that.
She had not only woken him up early, but done so sleep deprived, terrified, and
inconsolable. Anna had endured a sleepless night, cuddled to Tom’s snoring
shape in the dark, but unable to sleep herself for the grasshoppers chirping,
clicking, and singing outside the hotel window.
Anna grew up in Chicago so she was
more familiar with cockroaches than grasshoppers, and even being a novice about
crop-eaters she fully expected them to be silent once night wrapped the sleepy
town of St. Jim’s in its oily arms. Instead as she watched the moon rise higher
and higher into the sky they got louder and louder. Around midnight the
chirping took on a menacing tone, and she could her screams in the chirping,
clicking, and singing outside. The sound became so overpowering it was if the
insects had transformed themselves into the very sound they were making and
using it to crawl all over her, tangling in her hair and sticking their heads
into every orifice they can find. So she wiggled and thrashed as her mind and
reality did battle in the dark of a strange hotel room. She was chewing the
inside of her cheek raw, with tears streaming down her face when the first
precious ray of sunshine wandered in from between the nicotine-yellowed drapes.
It was all the provocation her exhausted and frightened mind needed and she was
rolling Tom out of bed, demanding he take her from St. Jim’s and never let her
return. At the time he was still more asleep than awake, so any fight he had
was overpowered by her obvious, irrational or not, panic.
Now, he is grinding his teeth as he
mad-dogs the light blue Chevy’s tailgate. He stomps on the accelerator and
jerks the wheel hard to the side, so he can pass the Chevy. She realizes he has
had plenty of time to wake up and be mad about it.
“I’m not following some redneck
asshole who is going to slam on his breaks every time he sees an orange cone on
the side of the road!” Tom shouts his words as they approach, but they aren’t
directed truly at Anna or the truck’s driver.
The little black Honda squeals at
the combination of increases in both speed and road grade as it jerks them past
the pickup. Tom doesn’t even look over at the driver as he passes, he just
huffs the word ‘asshole’ and keeps his angry eyes on the road. Anna does turn
and look, taking in the square-jawed man’s weary appearance under his worn
ball-cap. His eye are so bloodshot they almost seem crimson, and the worry
lines on his forehead match the roadmap of illogical fear on Anna’s own
forehead. He had a night like me, she
thinks to herself.
Anna keeps her eyes on the Honda’s
speedometer, expecting it to drop once they pass the pickup but instead it
continues climbing. 55, 60, 65, 70, 75.
Tom stares at the road, a winding
concrete snake slithering through Hoo-Doo County. Every few feet squat orange
cones line the side of the old mountain highway, giving the concrete reptile
vibrant markings to go with its blacktop camouflage. Another bright orange
diamond shaped sign informs them they are losing the left lane in less than a
mile.
“Seriously who is doing road work
at seven in the damn it?” Tom yells and Anna bristles at the anger in his
voice. Then, his choice of words strikes her as odd.
“Don’t you mean seven in the
morning?”
Tom smiles back, an almost
involuntary reaction to how amused he is by his own cleverness. “No, I meant
damn it. From now on, the morning begins at 8:00 am, and anything before then
is the damn it.”
Anna laughs out loud, the sound of
her joyful glee tickling Tom until he is laughing along with her. The Honda’s
speed drops back down, 85, 80, 75, 70, 65, 60. She squeezes his hand. He winks
at her. Without saying the words, she apologizes for waking him up and making
them leave before breakfast and he accepts. The little Honda speeds around a
turn a little yellow sign recommends be taken at 45 mph or less, and they see
where the left lane ends three hundred feet ahead of them. The wide, white
rear-end of a nice RV blocks the view of the road as it sits idling and waiting
on something ahead of them.
Tom stomps of the breaks harder
than he means to, pitching them both forward sharply, then slamming them back
hard.
“Son of a bitch!” Tom bellows.
“Afternoon already?” Anna quickly
jests.
Tom smiles, though it looks uneasy
enough if he would have laughed it would have been forced and fake. He looks
into the rearview mirror at the Chevy behind them. He scowls at the reflection
he sees.
“That asshole in the Chevy thought
that was funny. Eh, I mean the RV making me slam on my breaks, not your
‘joke’.” Tom looks at Anna sideways, teasing.
“Well, he would have if he heard
it. Roll down your window, and I’ll yell it out to him.” Anna waves her hand at
Tom, motioning for him to roll his window down, but he playfully waves her
back. She looks back to the man driving the Chevy and sees a wide maniacal
smile even with the square jaw, though the bloodshot eyes and deeply etched
worry lines are now hidden by the shade of the cap’s bill. The unmistakable
crack of rifle fire echoes through the morning air, startling both Tom and Anna
to the point of jumping in their seats. Anna ‘s eyes go back to the rear-view
mirror where the man is the pickup, still smiling wide, is now nodding his head
fervently.
“What the hell was that Tom?”
Anna’s voice squeals slightly, but her buried fear has to vent some way or
another. The echo of the rifle shot is having the same effect as the
grasshoppers’ overnight serenade, a sinking drowning sense of dread and despair
that almost brings tears to hers eyes as it steals the moisture from her mouth.
Tom opens his mouth to answer that
it could be hunters but a metallic silver Ford Mustang zips up over the last
hill, right around the blue Chevy and then Tom and Anna’s black Honda before
the RV’s taillights bring it to a stop just past the Honda’s front bumper with
even harsher grinds than Tom’s moments before.
“That is kinda’ funny from back
here.” Tom concedes and both of them laugh at it as the RV’s complete stoppage
stops the coiling line of morning traffic leading back into St. Jim’s. Its wide
rear-end completely blocks the view of what is obstructing the road and causing
the delay.
The instant the car stops rolling
the echoing clapping of the grasshoppers’ song fills the air as if licking to
taste the echo of the rifle shot. Anna rolls her window up, and rubs her
temples, hoping to keep it together. Hundreds of brown and green grasshoppers
are jumping from the forested roadside and hopping down towards the farmed
fields surrounding hilltops like they are drawn by a strange dormant migration
instinct. Anna looks away from the grasshoppers crawling and jumping all over
the ground to the forested hillside ahead of them. The northern Idaho terrain
has gone from rolling hills to sharp rugged mountains, with as much
predictability as a pregnant woman’s moods in the time Tom and Anna have been
traveling through it, and the road from St. Jim’s to the larger town of
Falterwood is no different, with patches of farmed fields dispersed amongst the
trees and all of it on ever-rolling hills of earth.
Anna’s wandering eyes, desperate to
avoid the hundreds of grasshoppers, see a sign announcing an upcoming road as
Tree Horn Ridge Loop Drive. How quint, Anna thinks to herself, but her inner
voice is mocking and snide so Anna keeps it to herself.
From where they have come to a stop
Tom can’t see any oncoming traffic, but he can see the left side of a massive
yellow bull dozer. A tiny little grasshopper, as black as the Honda’s paintjob,
leaps brazenly through Tom’s open window slapping its glittery purple wings in
his face as it flies past to land on the dash board. The insect’s flight seems
surreal and slow-motion to Tom who watches the dazzling purple wings with empty
eyes. Anna screams and recoils. Tom snaps from his momentary stupor and laughs
out loud at her reaction, but he catches sight of the man behind him and his
laughter dies in his throat. The stone-faced man looks both worried and
frightened; both emotions look foreign and uncomfortable on his shadowed face.
Anna reaches to her side for the
copy of People Magazine she grabbed in Stillwater, keeping her eyes on the
small oddly colored insect skittering around on the dash. She draws the
magazine to her lap, and rolls it tightly with both hands. She brings her paper
death tube down onto the unsuspecting grasshopper, convincingly squishing it
and squirting orange innards halfway across the dashboard.
“Was that necessary?” Tom asks
while looking at the orange mess smeared across the dash.
Without pause, Anna responds,
“Absolutely. The chirping bastards kept me up all night, Tom. They damn near drove me insane.” Something in
her tone tints the words with eeriness. She flinches with each tiny thud of a
grasshopper throwing itself against the side of the Honda, her heart racing in
rhythm with the soft thuds as it tries to crawl up her throat.
A scream cuts through the
grasshoppers’ song, which swells and swallows the scream as it the insects
meant to keep the scream a secret. Anna feels the blood flush from her face as she
spins to Tom.
“Turn us around, Tom!” She yells
louder than she means to.
He turns to look at her, but
traffic gives a sudden lurch forward. The progress only lasts for a few feet
before the line of vehicles comes to rapid stop again. Anna’s frightened eyes
scan the traffic, but are drawn above it to the darkening sky. She screams
without fully realizing it when she sees the swarm of giant black grasshoppers
leaping towards them with glittery fans of vibrant purple reflecting the newly
risen sun in terrible prisms as they move.
All hell breaks loose.
A short, stocky man wearing an
orange hardhat and a green safety vest dashes into view next to the RV. He is
swinging a SLOW/STOP sign at several dog-sized black grasshoppers hissing and
jumping at him. The RV’s taillights flash bright red as it attempts to back up,
but it smashes the silver Mustang’s front end and stops cold. The Mustang’s
driver, a middle-aged man in Dockers and a brown and orange striped polo-shirt,
stomps out of his car shaking his fists at the RV. Dockers takes a few long
angry strides in the direction of the RV as if he is planning to march right up
to the side door like it was a trailer in a trailer park. He takes a good three
steps before he finally sees the road worker struggling against the big black
hoppers. Dockers makes a funny face, and looks around, as if he expects to see
a camera crew hidden in the shadows of the evergreens. Instead, Dockers watches
the road worker slap one black grasshopper away with his sign, just as another
leaps onto the man’s broad shoulders. Its mandibles tear through muscle and
sinew to scrap against his collar bone. The man falls face forward onto the
side of the road, fighting weakly against, not only the grasshopper which took
him down, but, anther two which scamper onto him through the cloud of dust his
tumble stirs.
As the dust clears Anna watches one
of the black grasshoppers perched on the road worker’s back digging out his
spine while keeping its insect eyes on her. Dockers watches the same thing, and
his hand twitches slowly several inches from his door handle, but his numb legs
are frozen in place and his reeling mind doesn’t think to lean over slightly to
reach the handle. He begins screaming as a group of giant black grasshoppers
charges him.
More screams erupt from the RV and
the side of the road is suddenly crowded with people in tacky tourists clothing
getting shredded by the attacking swarm. Anna watches a mother attempt to
shield her daughter, only to get her arms eaten, and then watch her young
daughter get decapitated by a black grasshopper the size of a bear. Anna can’t
pull her eyes away from the scene, despite how horrendous it is. Each and every
person who has tried to flee has been taken down by one or more giant
grasshoppers and torn apart by twitching mandibles and barbed legs. Dockers
unfreezes from his fear just as a sleek oil-backed grasshopper at long as he is
tall tackles him to the ground. The man screams into the asphalt as the monster
tears at his spine, pulling most of it away with one firm tug of its powerful
mandibles. Anna turns away from the massacre to scream at her pale-faced boyfriend
again.
“Tom, turn us around!” Anna screams
the words and Tom shifts into reverse without taking his wide eyes off the
carnage ahead of them. His muscles freeze after completing the initial shift,
and he applies no pressure to the gas pedal to complete the retreat.
The roar of a bulldozer rivals that
of the insectiod army as it rumbles into view on the opposite side of the RV as
the slaughter, crushing orange cones as it rolls forward. The blue Chevy behind
them jerks hard to the side and pulls around them, barely missing the Honda in
its rush.
“Oh my god, oh my god, oh my god,”
Anna repeats the modern trauma chant while Tom curses at the Chevy as it jerks
past him, smashing over road cones and charging the bulldozer which just
appeared. The stone-faced driver of the Chevy doesn’t have time to avoid the
bulldozer as if he somehow missed its loud diesel-reeking appearance. The bulldozer’s large yellow blade tears
through the Chevy’s front end like claws through flesh. The Chevy’s driver
doesn’t scream as he truck is engulfed in flames and shoved into a grinding,
smoking retreat by the bulldozer. After hitting the truck, the dozer changes
direction and forces the flaming pickup into the woods on the opposite side of
the road from Anna and Tom. As it rumbles past them, neither Tom nor Anna see a
driver in the bulldozer, just several grasshoppers climbing all over the
construction vehicle.
An old man clad in rags staggers
alongside the RV. He drags his hand along the side of the RV leaving a smeared
crimson handprint which stands out vividly against the RV’s bright white. The
old man’s long face is streaked with the same crimson as his hands and his long
tangled beard hanging down to his belly is a vibrant scarlet with weak streaks
of gray. He looks at Tom and Anna, his eyes swirling rainbows of dark neon
colors which chill them both deep in their souls.
“What is this all about?” Tom
whispers his question to himself.
The traffic behind them surges
forward in the wake of the pickup, effectively blocking Tom and Anna’s planned
escape. A colossal grasshopper leaps from the trees and lands on the top of the
RV, crushing the massive vehicle down a few feet and making it sway as it
settles. The RV creaks loudly as it sways and comes within inches of hitting
the bearded old man, who ignores both the swaying RV and gigantic grasshopper atop
it. The sleek monster hisses and spits at the little Honda before jumping at
it.
“Holy shit, get out!” Tom yells as
he opens his door and throws himself onto the asphalt.
He lands elbows first, but lands
with enough momentum to smack his chin on the highway before he rolls away from
the car just as the grasshopper smashes it to shards of metal and plastic with
its girth. Tom sees blood splattered across the wreckage of the flattened Honda
after the massive hopper smashes the next car in line, and he knows Anna didn’t
make it out in time. He has no time to mourn his lost love, because a dog-sized
hopper pounces onto his chest almost immediately. The monster smashes his ribs,
and drools black slime onto his pale-face. The mutant grasshopper has two rows
of eyes, quickly clicking mandibles, and a circular mouth lined with rows of
sharp teeth. Tom panics and smashes the grasshopper in its closest eye. The
creature lurches away blinded from the lucky strike, but another uses Tom as a
launch pad crushing any ribs not already destroyed as it leaps of off him.
The momentum of the grasshopper’s leap
rolls Tom’s battered body on the highway like a rag doll. Tom raises his hand
at the people behind him, he can’t draw a deep enough breath to scream. His eyes
relay his panic and pain to the people in their cars and trucks as he reaches
feebly for their help. The grasshopper he temporarily blinded crawls over him
slowly, methodically, severing a limb at a time and tearing at his back with
its barbed feet in the middle of the highway.
The man with the red face and beard
stumbles up to Tom’s scattered remains. Both his eyes seem to be rolling
different directions, but it is impossible to tell because of their wild
rainbow hues. He yells something unintelligible and hundreds of normal
grasshoppers converge on the severed limbs, avoiding the old man completely.
The stunned drivers behind the
scene slam into each other in their panic as the swarm of grasshoppers
overtakes them on its way into St. Jim’s.
Two leather-clad bikers run
screaming for the safety rail only to be gutted and flayed before their abandoned
motorcycles hit the ground.
A white-van full of juvenile
delinquents and two probation officers locks the doors to no avail as
bear-sized black grasshoppers smash themselves into the windshield until it
shatters in. Hundreds of black grasshoppers swarm the jagged opening and the
next instant arterial spray colors the unbroken windows.
A team of sheet-rockers exit their
battered work-truck swinging their hammers like savages. Neither makes contact
even once before they are attacked. The driver manages a frightful war cry
before a hopper nearly as big as him leaps onto his back and bites off the top
of his head. The other man watches his friend die, and decides to retreat. He
reaches for the door handle stiff with fear. An eight-inch long grasshopper
lands on the sheet-rocker’s outstretched arm and rips ravenously at the tender
flesh of his wrist. Blood spurts to the blacktop with every beat of the man’s
heart. Others smell the spilling blood and swarm the whimpering man.
Screams join in the grasshoppers’
song as the massacre concludes in violent bloody fashion leaving no survivors
on the gore-stained highway. The old bearded man, the hermit known as The Corn
Eater, waddles towards the town which he wandered away from so long ago, his
bare feet slapping the concrete and flinging blood with every step. He sees
through the eyes of the swarm, and back in the decrepit shack the Pulse in the
Dark glows terrible neon colors pleased as it watches the swarm advance through
his shimmering eyes.
Next 'episode' will be posted Tuesday, April 1st.
You can find more of my scribblings HERE.
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